The jam session seems to have happened by pure chance. Perkins, who by this time had already met success with "Blue Suede Shoes", had come into the studios that day, accompanied by his brothers Clayton and Jay and by drummer W.S. Holland, their aim being to cut some new material, including a revamped version of an old blues song, "Matchbox". Sam Phillips, the owner of Sun Records, who wanted to try to fatten this sparse rockabilly instrumentation, had brought in his latest acquisition, Jerry Lee Lewis, still unknown outside Memphis, to play piano (at the time, a Wurlitzer Spinet) on the Perkins session. Lewis's first Sun single would be released a few days later. Sometime in the early afternoon, 21-year-old Elvis Presley, a former Sun artist now with RCA Victor, dropped in to pay a casual visit accompanied by a girlfriend, Marilyn Evans. At some point during the session, Sun artist Johnny Cash, who had recently enjoyed a few hits on the country charts, popped in. Jack Clement was engineering that day and remembers saying to himself "I think I'd be remiss not to record this" and so he did. The recordings show Elvis, the most nationally and internationally famous of the four at the time, to be the focal point of what was a casual, spur-of-the-moment gathering of four artists who would each go on to contribute greatly to the seismic shift in popular music in the late 1950's.
During the session, Phillips called a local newspaper, the Memphis Press-Scimitar. Bob Johnson, the newspaper’s entertainment editor, came over to the studios with UPI representative Leo Soroca and a photographer. Johnson wrote an article about the session, which appeared the following day in the Press-Scimitar under the headline "Million Dollar Quartet".
![]() |
| A photo taken that day of the Million Dollar Quartet |
| Elvis |
| Carl Perkins, Elvis, and Johnny Cash |
So, the show was well worth going to and if you are in Branson, this is one worth seeing.

No comments:
Post a Comment